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We have no hesitation in awarding it full marks once again. VGA II is so much product for so little money, and it's wrapped up in a delightfully streamlined and intuitive interface. You can always use VGA II in conjunction with other effects plug-ins if you feel the need to snazz up the sound further. As for the pared-down interface, we dare say that for the majority of guitar recording tasks, we prefer not having to pick from tens of pedals, amps, cabs and mics. There are enough amps/cabs here to cover the vast majority of bases - well, except basses, that is. While VGA II might not have the number of amps, effects and sundry bells and whistles as big-hitters like AmpliTube and Guitar Rig, its tone is right up there with the best of 'em. Its continually evolving and expanding line of guitars and basses appeals to a broad. From jangling cleans to ballsy crunch tones, and from raucous rock on through to molten metal, VGA II can do it all. Schecter Guitar Research has solidified its elite status as one of the world’s premier guitar companies, offering electric guitars and basses, acoustic guitars, and USA Custom Shop instruments to musicians around the world in more than 150 countries. It really is a joy to rock out with them: they kick and react to your playing much like the real thing.Īnd this is all without needing to spend loads of time dialling in options - just plug in, and the great sound is immediately apparent. The modelled amps have a wonderful body and gutsy tonality, with a satisfying, organic feel. This time around, things are even better: Studio Devil have upgraded the amp engine so that it uses the newer algorithms from VGA II's big brother, Amp Modeler Pro, aka AMP. We applauded the tone and feel that the original VGA presented. Like everything else in VGA II, it's bang in view, right there on the front panel. However, each effect is incredibly lush, natural-sounding and effective, and a doddle to dial in.Īlso new is the simplistic but perfectly effective tuner. Granted, in VGA II you only get tremolo or chorus combined with delay or reverb.